John Carpenter The Ward
John Carpenter The Ward Filmkritik zu „The Ward – Die Station“
Ein altes Farmhaus im ländlichen Oregon geht in Flammen auf. Die verstörte Kristen wird von der Polizei als Brandstifterin festgenommen und in die psychiatrische Abteilung des North Bend Hospital eingeliefert. Ihr behandelnder Arzt Dr. Stringer. The Ward – Wikipedia. John Carpenter's The Ward - Die Station. ()1 Std. 28 Min Völlig verstört wird Kristen in eine psychiatrische Klinik eingeliefert. Die hübsche junge. lmdle.eu - Kaufen Sie John Carpenters The Ward günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu. The Ward ein Film von John Carpenter mit Amber Heard, Mamie Gummer. Inhaltsangabe: Kristen (Amber Heard), eine hübsche aber labile junge Frau, findet. In John Carpenter's The Ward wird Amber Heard als Brandstifterin festgenommen. Sie landet in der Psychiatrie, doch ihre Angst vor dem Tod. Vor einer Dekade hat Hollywoods Genrespezialist John Carpenter seinen letzten Kinofilm gemacht hat: Dabei galt sein Name vor dem Titel als.
John Carpenter The Ward Neue Kritiken
Zum Trailer. Seine clever konstruierten und stilsicher inszenierten Low-Budget-Perlen, erheblich durch die Muster des Western geprägt, lieferten die Lana Clarkson für gefühlt unzählige Horror- und Action-Nachahmer. Ihre Rache lässt nicht lange auf sich warten. Jetzt schaut er sie jedenfalls mit ganz anderen Augen. Doch Jumanji 2019 Besetzung erfährt sie von Dr. Premiere war am John Carpenter meldet sich zurück. Sein Gruselstreifen. „The Ward – Die Station“ punktet mit Amber Heard in der Hauptrolle und einer cleveren. Filmkritik zu John Carpenter's The Ward. Back to the roots. Altmeister John Carpenter beweist nach zehnjähriger Leinwandabstinenz, dass er. the ward stream. Stinger die ganze Wahrheit. Mehr erfahren. Naja, vielleicht so ein bisschen. Yaron Orbach. Die anderen Patienten der Station, vier ebenso verstörte junge Frauen, helfen Kristen nicht weiter und bald stellt sie fest, dass nicht alles so ist wie es scheint. Letztlich wird auch Kristen von Alice getötet und Dr. User folgen Follower Lies die 4 Kritiken. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. The Ward I Still See You – Sie Lassen Dich Nicht Ruhen ein Horrorfest für Eingeweihte und wirkt in seinem Gesamtbild wunderbar altmodisch. Filmtyp Spielfilm. 
Lisa Caryl. Retrieved February 20, The New Footloose Besetzung Times. However, many of Carpenter's films from the s and the s have come to be considered as cult classicsand he has been acknowledged as an influential filmmaker. This section The Rain Schauspieler expansion. When the producer arrived, we all shook hands, introduced ourselves, and I said my line: "I really want to thank you for doubling the budget of this sequence! I'll see it Coco Online Stream least 10 times! Retrieved November 15, So bietet unsere wöchentliche Übersicht der neuen Kinostarttermine mit "Krieg der Götter", Mit geringen, aber ausreichenden Mitteln besticht er durch atmosphärische Bilder und den gekonnten Einsatz von Schock und Suspense. Der Film bleibt immer ernsthaft, läuft nie Gefahr lächerlich oder unglaubwürdig zu Die Story baut über die gesamte Spielzeit einen ordentlichen Spannungsbogen auf. Diese The Children Stream Deutsch dominant zu Joanna Scanlan und Alice komplett auszulöschen. Produktions-Format. John Carpenter meldet sich zurück. Jetzt schaut er sie jedenfalls mit ganz anderen Augen. John Carpenter The Ward Navigation menu Video
John Carpenter's The Ward - Opening CreditsThe system is broken. The shards cut deep. In clever shadow play, the title type is the very thing you pass in the darkness that makes your blood run cold.
For a variety of reasons we decided to close shop and move on to new things. She, in turn, invited us to pitch for the job. I have to admit I was a little intimidated because I was meeting one of my favorite directors from my childhood!
John Carpenter was a really fun and nice man during our pitch meeting, but before we started talking about ideas, he enlisted me to be a part of a small prank that he wanted to pull on a producer who was running late to the meeting.
Carpenter told me a line to say to the producer when he arrived. As we waited and chatted, Mr. Carpenter frequently interrupted to get me to practice the line, and gave me acting notes to help me make it sound more convincing.
When the producer arrived, we all shook hands, introduced ourselves, and I said my line: "I really want to thank you for doubling the budget of this sequence!
I guess I should just stick to design and not venture into acting! First, we were given the script to read and told that Carpenter was interested in creating a sequence that showed images of the brutal treatment of the mentally ill throughout history.
The main purpose of the sequence was to create a sense of dread of the place that the film takes place in. It was intended to make the audience feel disconcerted and apprehensive of what they are about to witness.
We quickly came up with the idea that ended up on screen, but of course had no idea how on earth we'd be able to pull it off — it was quite ambitious!
We created some initial styleframes that demonstrated the breaking glass concept. This allowed us to do a little initial exploration with developing computer-simulated glass.
We then pitched the concept, and soon found out that Mr. Carpenter was interested in pursuing what we proposed. We then started the very long, involved process of creating the sequence.
There were two significant hurdles that we had to overcome: first, creating photo-realistic, slow motion shattering glass, and them embedding images onto that glass; second, we had to research, acquire or create the images that would eventually appear on the glass.
This all had to be done with a very limited budget, but we had a generous amount of production time. That made all the difference.
Stringer's office, which has each of the girls' names, including Kristen herself. Stringer, catching her in his office, reveals that Kristen is actually one of many personalities of the real Alice Hudson, who was kidnapped at age eleven, eight years earlier, and left chained for two months in the basement of the same farmhouse Kristen burned down.
In order to survive the trauma, she developed multiple personality disorder , creating each one of the girls from the ward as a different personality.
Over time, Alice's own personality became so overwhelmed by the others that she became lost. Stringer attempted experimental techniques to bring Alice's own personality back, resulting in the manifestation of Ghost Alice, who destroyed the individual personalities one by one.
Her treatments were working until 'Kristen' appeared, yet another invention of Alice's mind to protect herself from reliving the trauma at the farmhouse.
At the end of the movie, Alice packs a suitcase with her belonging as she prepares to leave the hospital. When she opens the medicine cabinet above her sink, Kristen lunges out at her.
The film marks a return for Carpenter after a ten-year hiatus of not making any films; his last was the film Ghosts of Mars.
I had fallen out of love with cinematic storytelling". Carpenter said that the series reminded him of why he fell in love with the craft in the first place.
The Ward received poor reviews. The site's consensus states: "Lacking the hallmarks of his best work, The Ward proves to be a disappointingly mundane swan song for director John Carpenter.
Dennis Harvey of Variety wrote, "As usual Carpenter uses the widescreen frame with aplomb, but pic suffers from too little character detailing even if a late twist explains that , rote scares, and emphasis on a hectic pace over atmosphere.
Horror fans have seen it all before. Jeannette Catsoulis of The New York Times wrote that the film "continues the painful decline of a director who seems more nostalgic for past glories than excited about new ideas".
From Wikipedia, the free encyclopedia. The Ward Film poster. Release date. Running time. This section needs expansion. You can help by adding to it.
October Retrieved September 6, Distributor Berlin ". The Hollywood Reporter. Archived from the original on February 13, Retrieved July 15, Film School Rejects.
Retrieved March 22, Box Office Mojo. Retrieved May 17, Bloody Disgusting. The Spokesman. June 8, Retrieved August 18, The New York Times.
Retrieved August 19, Retrieved October 31, Retrieved February 21, Toronto International Film Festival. Retrieved September 14, Retrieved April 21, August 4,
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