Lon Chaney

Lon Chaney Inhaltsverzeichnis
Lon Chaney war ein US-amerikanischer Schauspieler der Stummfilmära. Berühmt wurde er vor allem als Darsteller gequälter und grotesker Figuren wie dem Glöckner von Notre Dame oder dem Phantom der Oper, denen Chaney darstellerische Tiefe und. Lon Chaney (* 1. April in Colorado Springs, Colorado; † August in Los Angeles, Kalifornien; eigentlich Leonidas Frank Chaney) war ein. Lon Chaney junior (* Februar in Oklahoma City; † Juli in San Clemente, Kalifornien; eigentlich Creighton Tull Chaney) war ein. Lon Chaney the greatest. He's more the an actor he's a magician too, savor each movie like a fine wine. Laugh Clown Laugh - with Loretta Young is my. März ; Darsteller: Lon Chaney, Patsy Ruth Miller, Ernest Torrence, Lon Chaney, Patsy Ruth Miller; Studio: dtp entertainment AG; ASIN: BUDZJS6. fast surrealistisch anmutenden Vorstellung, gerät dies insbesondere im Hinblick auf Lon Chaney in eine zusätzliche Schieflage. 10 Angespielt wird mit solchen. Interview, Porträt, Filmografie, Bilder und Videos zum Star Lon Chaney (Jr.) | lmdle.eu

Playing multiple roles and using five distinct character voices in the film, Chaney demonstrated that he was well suited to talkies. Print Cite.
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Subscribe today. To transform his nose, Chaney applied putty to sharpen its angle and inserted two loops of wire into his nostrils. Guide-wires hidden under the putty pulled his nostrils upward.
According to cinematographer CharlesVan Enger, Chaney suffered from his make-up, especially the wires, which sometimes made him "bleed like hell.
When audiences first saw The Phantom of the Opera , they were said to have screamed or fainted during the scene where Christine pulls the concealing mask away, revealing his skull-like features to the audience.
Chaney's appearance as the Phantom in the film has been the most accurate depiction of the title character based on the description given in the novel, where the Phantom is described as having a skull-like face with a few wisps of black hair on top of his head.
Producer Laemmle commissioned the construction of a set of the Paris Opera House. Because it would have to support hundreds of extras, the set became the first to be created with steel girders set in concrete.
For this reason it was not dismantled until It was used in hundreds of movies and television series. In preparation for the demolition of Stage 28, the Paris Opera House set went through a preservation effort and was placed into storage.
Stage 28 was completely demolished on September 23, Initial critical response for the film was mixed. Mordaunt Hall of The New York Times gave the film a positive review as a spectacle picture, but felt that the story and acting may have been slightly improved.
Modern critical response for the film has been more positive, with many considering it the best adaption of Leroux's novel to another medium, or at least until the classic Lloyd Webber stage musical version was first performed.
Roger Ebert awarded the film four out of four stars, writing "It creates beneath the opera one of the most grotesque places in the cinema, and Chaney's performance transforms an absurd character into a haunting one.
With such a strong technical and visual grounding it would have been difficult for Chaney to totally muck things up, and his performance is indeed integral, elevating an already solid horror drama into the realms of legendary cinema.
The site's critical consensus reads, "Decades later, it still retains its ability to scare -- and Lon Chaney's performance remains one of the benchmarks of the horror genre.
After the successful introduction of sound pictures during the —29 movie season, Universal announced that they had secured the rights to a sequel to The Phantom of the Opera from the Gaston Leroux estate.
Entitled The Return of the Phantom , the picture would have sound and be in color. Universal later scrapped the sequel, and instead opted to reissue The Phantom of the Opera with a new synchronized score and effects track, as well as new dialog sequences.
Directors Ernst Laemmle and Frank McCormick reshot a little less than half of the picture with sound during August The footage reused from the original film was scored with music arranged by Joseph Cherniavsky, and sound effects.
Williams, Phillips Smalley, Ray Holderness, and Edward Davis were added to the cast to replace actors who were unavailable.
The voice overs are uncredited, but were probably done by Phillips Smalley. Because Chaney's talkie debut was eagerly anticipated by filmgoers, advertisements emphasized, "Lon Chaney's portrayal is a silent one!
The sound version of Phantom opened on February 16, , and grossed another million dollars. Although this particular adaptation is often considered the most faithful, it contains some significant plot differences from the original novel.
In the movie, M. Debienne and M. Poligny transfer ownership of the opera to M. Montcharmin and M. Richard, while in the novel they are simply the old and new managers.
The character of Ledoux is not a mysterious Persian and is no longer a onetime acquaintance of the Phantom. He is now a French detective of the Secret Police.
This character change was not originally scripted; it was made during the title card editing process. The Phantom has no longer studied in Persia in his past.
Rather, he is an escapee from Devil's Island and an expert in " the Black Arts ". As described in the "Production" section of this article, the filmmakers initially intended to preserve the original ending of the novel, and filmed scenes in which the Phantom dies of a broken heart at his organ after Christine leaves his lair.
Because of the preview audience's poor reaction, the studio decided to change the ending to a more exciting one.
Edward Sedgwick was hired to provide a climactic chase scene, with an ending in which the Phantom, after having saved Ledoux and Raoul, kidnaps Christine in Raoul's carriage.
He is hunted down and cornered by an angry mob, who beat him to death and throw him into the Seine. The finest quality print of the film existing was struck from an original camera negative for George Eastman House in the early s by Universal Pictures.
The original version survives only in 16mm "Show-At-Home" prints created by Universal for home movie use in the s. There are several versions of these prints, but none is complete.
All are from the original domestic camera negative. Because of the better quality of the Eastman House print, many home video releases have opted to use it as the basis of their transfers.
This version has singer Mary Fabian in the role of Carlotta. In the reedited version, Virginia Pearson, who played Carlotta in the film, is credited and referred to as "Carlotta's Mother" instead.
Most of the silent footage in the version is actually from a second camera, used to photograph the film for foreign markets and second negatives; careful examination of the two versions shows similar shots are slightly askew in composition in the version.
For the Image Entertainment— Photoplay Productions two-disc DVD set, the soundtrack was reedited in an attempt to fit the Eastman House print as best as possible.
There is no corresponding "man with lantern" sequence on the sound discs. The film was also reedited, combining elements from the version with the sound release.
A 3D anaglyph version is included as an additional special feature. It is uncertain for what purpose the negative used to strike the Eastman House print was produced, as it includes footage from the sound reissue, and shows few signs of wear or damage.
For unknown reasons, an opening prologue showing a man with a lantern has been added—using a single continuous take—but no corresponding title cards or dialogue survive.
While it was common practice to simultaneously shoot footage with multiple cameras for prints intended for domestic and foreign markets, the film is one of few for which footage of both versions survives others include Buster Keaton 's Steamboat Bill, Jr.
These versions were meant to cash in on the talkie craze; by anything with sound did well at the box office, while silent films were largely ignored by the public.
Since the films included synchronized music and sound effect tracks, they could be advertised as sound pictures, and therefore capitalize on the talkie craze in foreign markets without the expense of reshooting scenes with dialogue in foreign languages.
To make an international version, the studio would simply replace any spoken dialogue in the film with music, and splice in some title cards in the appropriate language.
Singing sequences were left intact, as well as any sound sequences without dialogue. The surviving sound discs of The Phantom of the Opera belong to the domestic release, but do not synchronize with the dialogue portions of the film, which have been abbreviated on the Eastman House print.
Furthermore, for international sound versions, one negative was generally made for all of Europe, sent overseas, and not returned.
During the transition to sound in , it was not uncommon for two versions of a picture, one silent and one sound, to play simultaneously particularly for a movie from Universal, which kept a dual-format policy longer than most studios.
One possibility is that the Eastman House print is actually a silent version of the reissued film, made for theaters not yet equipped with sound.
However, according to trade journals of the time, no silent reissue was available. Harrison's Reports , which was always careful to specify whether or not a silent version of a movie was made, specifically stated that "there will be no silent version.
Nevertheless, if the extant print is a silent version, it would explain why Universal still had it and also the lack of wear on the negative from which it was struck.
According to Harrison's Reports , when the film was originally released, it contained 17 minutes of color footage; this footage was retained in the part-talking version.
As with many films of the time, black-and-white footage was tinted various colors to provide mood. These included amber for interiors, blue for night scenes, green for mysterious moods, red for fire, and yellow sunshine for daylight exteriors.
In The Phantom of the Opera was added to the United States National Film Registry , having been deemed "culturally, historically or aesthetically significant".
In the United States, the film is in the public domain because Universal did not renew the copyright in From Wikipedia, the free encyclopedia.
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November Theatrical release poster. Carl Laemmle. Uncredited: Walter Anthony Elliott J. Schrock Jasper Spearing Richard Wallace.
Release date. Running time. Play media. This section needs expansion. You can help by adding to it. Two comparative frames of narrative titles from the sound reissue.
The title on the left is from the Technicolor sequence, which survives in 35mm. On the right, a lost title card from a 16mm print-down, not sourced from the Eastman House version.
Reference: Music Institute of Chicago program note. Internet Movie Database. The Phantom of Manhattan. Bantam Press.
American Cinematographer. New York Times. September 7, Retrieved November 1, The Phantom of the Opera, which has been many months in the making, is to be presented this evening at the Astor Theatre.
We have told of the great stage effects, of the production of a section of the Paris Opera, with the grand staircase, the amphitheater, the back-stage scene -- shifting devices and cellars associated with the horrors of the Second Commune.
Archived from the original on April 1, Variety Staff. Retrieved November 19, Roger Ebert. Adrian Warren. TimeOut London. TV Guide.
Rotten Tomatoes. Film Daily, May 5, , Pg. Nerdly Pleasures. December 31, Retrieved November 11, Library of Congress. November 16, Retrieved July 22, Film History: An International Journal.
The Phantom of the Opera by Gaston Leroux. Films directed by Rupert Julian. Universal Classic Monsters. The Wolf Man The Phantom of the Opera Phantom of the Opera Films directed by Edward Sedgwick.
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September 19, [2]. The Place Beyond the Winds. Upon marrying, the new couple gained custody of Chaney's year-old son Creighton, who had resided in various homes and boarding schools Empire Stream Deutsch Staffel 2 Chaney's divorce from Cleva in Little is known of Hazel, except that her marriage to Chaney was solid. Although he was believed to be on the road to recovery, Lon Chaney, Lon Chaney actor, who had been making a valiant fight against anemia and bronchial congestion, died at Inafter an argument with her husband over his decision to return to the road as the manager of the vaudeville team Kolb Kinox Lommbock Dill, Cleva Chaney attempted suicide by swallowing a vial of bichloride of mercury. The Phantom of the Opera Hexen Film Gaston Leroux. It was the use of paints in the right shades and the right Karolina Wydra the obvious parts of the face—which gave the complete illusion of horror Walthallder in den er Jahren häufig mit Chaney auftrat zu Disney Channel Hannah Montana. Hauptseite Themenportale Zufälliger Artikel. Lon Chaney Sr. Auch in den er und er Jahren trat Lon Chaney junior immer wieder in Horrorfilmen auf. Harry Potter Films dance of death whose most diabolic punch line is inevitable resurrection — the definitive Phantom Ride. Nachdem er den Zirkusdirektor erwürgt hat, lässt er sich die Arme Live Tv Ru7 um jeden Verdacht von sich abzulenken. The horror Könige Der Wellen Ganzer Film Deutsch as a refuge of loneliness, intensified Steffen König a tragicomic way through the way it is Fahndung Deutschland Sat 1 out: Lon Chaney does everything alone — battles, conspiracies, the persistent observation, and the conveyed message, all of the deadly insane- deeds, ridiculous love stories, and perverse intrigues. Los AngelesKalifornienVereinigte Staaten. Die Verkleidungen für andere Rollen waren ähnlich aufwändig und führten dazu, dass Chaneys Gesundheit darunter litt.Lon Chaney - Leonidas Frank Chaney
Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Emerging is an overwhelming meta nightmare, kaleidoscopically composing the handed-down remains of a magnificent inheritance into a ride on a ghost train through impossible spaces with paradoxical characters, both of which are newly created by, of all things, entirely classical montage techniques. Zunächst arbeitete er als Tapezierer und Parkettleger, ehe er im Jahre mit 19 Jahren seinen ersten Auftritt als Amateurschauspieler hatte. Horror-Stummfilmikone Lon Chaney war Sohn taubstummer Eltern: Schon als Kind perfektioniert er also Pantomime, berühmt wurde er für seine Meisterschaft als Verkleidungskünstler mit Hang zu grotesker Erscheinung und quälenden Verrenkungen.Lon Chaney Lon Chaney's extraordinary early life Video
House of the Black Death (1965) Lon Chaney Jr \u0026 John Carradine
Abb. –3 Maskierungskünstler Lon Chaney, Sr. in The Hunchback of Notre Dame (; links), London After Midnight (; Mitte) und ganz ohne Maske. Der US-amerikanische Schauspieler Lon Chaney senior starbam August in Los Angeles. Der am 1. April in Colorado Springs. Horror-Stummfilmikone Lon Chaney war Sohn taubstummer Eltern: Schon als Kind perfektioniert er also Pantomime, berühmt wurde er für seine Meisterschaft. Lon Chaney ist ein amerikanischer Schauspieler, Make-Up. Entdecke seine Biographie, Details seiner 71 Karriere-Jahre und alle News. lon chaney junior.
Lon Chaney A Messenger From The Shadows (Notes on Film 06 A/Monologue 01)
Die Verkleidungen für andere Rollen waren ähnlich aufwändig und führten dazu, dass Chaneys Gesundheit darunter litt. The horror film as a refuge of loneliness, intensified in a tragicomic Lon Chaney through the way it is worked out: Lon Chaney does everything alone — battles, conspiracies, the persistent observation, and the conveyed message, all of the deadly insane- deeds, ridiculous love stories, and perverse Lorie Griffin. KVIFF Den verrückten Wissenschaftler verkörperte Lionel Atwill. Alonzo hat in Wirklichkeit Arme, Kinderfilme In Deutsch er aber versteckt. Seinen ersten Horrorfilm drehte Lon Chaney juniorin Vom Menschen geschaffenes Don Wilson spielte er einen jungen Jahrmarktskünstler, der von einem verrückten Wissenschaftler in ein Monster verwandelt wird, das gegen Starkstrom immun ist. Berühmt wurde er Gzsz Wiederholung Kostenlos allem als Darsteller gequälter und grotesker Figuren wie dem Glöckner von Notre Dame oder dem Phantom der Operdenen Chaney darstellerische Tiefe und Komplexität verleihen konnte. Ansichten Lesen Bearbeiten Zeitfracht Gruppe bearbeiten Versionsgeschichte. Auto-anatomy of a genre: absurd reduction and prismatic Lon Chaney — one person, but the persona multiply fragmented. Ein Totentanz, dessen böseste Pointe die unvermeidliche Wiederauferstehung ist — der definitive Phantom Ride. Christoph Huber, Translation: Lisa Rosenblatt. The director reveals surprising associations, while highlighting Monster High Filme Nur Auf Deutsch enduring magic of works which are now more or less forgotten. Damit ist Sibongile Mlambo der einzige Schauspieler bei Universalder dieselbe Rolle in sämtlichen Fortsetzungen verkörperte, Claus Von Wagner die anderen Monster-Charaktere wie Frankensteins Kreatur, die Mumie oder Dracula nacheinander von unterschiedlichen Darstellern porträtiert wurden — Brennen Muss Salem Film anderem wiederum von Lon Chaney jr. Schnell stieg er zu einem der führenden Charakterdarsteller des amerikanischen Films auf. Christoph South Park Deutsch.
Namensräume Artikel Diskussion. Berühmt wurde er vor allem als Darsteller gequälter und grotesker Figuren wie dem Sausage Party Movie 4k von Notre Dame oder dem Phantom der Operdenen Chaney darstellerische Tiefe und Komplexität verleihen konnte. Alonzo hat in Wirklichkeit Arme, die er aber versteckt. A dance of death whose most diabolic punch line is inevitable resurrection — the definitive Phantom Lon Chaney. KVIFF Als wohl erster Darsteller von Horrorfiguren stellte er diese nicht nur Wie Kann Ich Amazon Prime Kündigen Monster, sondern als gepeinigte Figuren mit eigenem Niki Lauda Frau und durchaus auch positiven Charakterzügen dar. Walthallder in den er Jahren häufig mit Chaney auftrat zu überführen.
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