Only God Forgives Imdb
Only God Forgives Imdb The Prince
Only God Forgives ist ein französisch-dänischer Thriller aus dem Jahr Der dänische Filmregisseur Nicolas Winding Refn führte Regie und schrieb das. Only God Forgives ist eine Weiterentwicklung, eine noch stärker verdichtete Interpretation, diesmal einer Familien-Rachestory. Es ist ein Werk. lmdle.eu - Buy Only God Forgives at a low price; free delivery on qualified orders. See reviews & details on a Only God Forgives () on IMDb. Bangkok. | ShockYa; Only God Forgives, The Heat, Paradise: Hope: this week's new films 03 August | The Guardian - Film News. See all related. Only God Forgives ein Film von Nicolas Winding Refn mit Ryan Gosling, Kristin Scott Thomas. Inhaltsangabe: Vor zehn Jahren tötete Julian (Ryan Gosling). The Prince - Only God Forgives ein Film von Brian A. Miller mit Jason Patric, Bruce Willis. Inhaltsangabe: "The Prince" nannte man Paul (Jason Patric) einst, als. Bilder, Inhalt, Synopsis, Beschrieb, Trailer zum Film Only God Forgives. 90min. IMDB-Rating: / Alterskategorie: 16/ Kinostart CH-D:
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Whisky Scene - \ Durch das Schreiben eines Kommentars stimmen sie unseren Regeln zu. Optisch ist der Film John Goodman Filme Anfang interessant, aber gegen Ende langweilen die immergleichen Einstellungen. Kann aus der Enttäuschung auch etwas Produktives erwachsen? Währenddessen beauftragt Crystal einen gewissen Byron mit der Ermordung von Chang. Kristin Scott Thomas. Choi erklärt Insidious: Chapter 4, dass er von Lt. Über die Story definiert sich das Kino von Refn am allerwenigsten, und doch bietet The Foreigner Film sie Material für Auseinandersetzungen. Während der junge Boxer anscheinend einen guten Kampf liefert, wechseln Drogen und Geld in der Zuschauermenge offen den Besitzer. Und wie oben schon erwähnt, deuten die Perversen allen voran der Regisseur da mal wieder krampfhaft diverse Ebenen und Anspruch hinein, um die kranke Geilheit auf Jes Holtsø und Blut zu rechtfertigen. Kristian Eidnes Andersen Julien Martin. Wenn du einen Film drehst, musst du dich von Anfang Winterkartoffelknödel Ganzer Film Kostenlos fragen: Wo wird er gesehen werden? Durch das Schreiben eines Kommentars stimmen sie unseren Regeln zu. User folgen 49 Follower Lies die Kritiken. Juli User folgen Lies die 3 Kritiken.The sets, the camera movement, the placement of the actors, all of these make up for some truly gorgeous shots. Drive was a good movie and I was hoping Refn could do it again but this was really bad and really disappointing.
I've burnt myself out with how much I don't like this movie from the pretentious jump cuts between characters doing literally nothing acting as if that were deep, or the blatant symbolism that hits you as hard as a aluminum slugger to the dome haha see it keeps cutting back and forth between a golden idol and the guy because hes supposed to be God geeee I'm so smart.
There's nothing smart about this movie there's nothing deep about this movie. The only props I can give are the shots are pretty nice and they create a very dream like atmosphere although it feels like a fever dream with the nonsensical "plot.
I could write about how the the character who represents God is ridiculously annoying and cannot be taken seriously.
I could also write how every character is similar in that they are void and awful but I'd be much more content letting this fade from my memory.
MikeHenSeven 10 June Don't expect to see Drive's sequel, it would make no sense! If you don't know Refn's movie you've got to know 3 important things : - He makes contemplative movies.
With a lot of silence and a minimalist screenplay. You'll need to create yourself a part of the story because it's a movie between reality and nightmare.
It's a philosophical and metaphysical movie. This movie is fascinating! Cinemathography is beautifully worked, use of the red light is perfect, framing also.
Production design and the places make us perfectly return in the dark side of the film. We remain completely speechless front of the pictures that are beautiful, surprising and deeply disturbing.
Violence becomes poetry. The story speaks about the male impotence, revenge is put on side, there is no real hero. Just the story of a lost man who seeks his way, other side a cop who thinks he is God.
It's to the spectator to find the morals of the story. The music electro-pop and Vithaya's interpretations are in total agreement with the progression of the story and the pictures.
The actors succeed in transmitting the feelings and impressions of the characters with simple glances.
We leave the room completely disturbed, while being posed full with questions, trying to assimilate all the asked questions by the artist, but completely fascinated and excited!
It is simple either one loves, or one hates this film. I loved it! Refn signs one of his best movies, he assumes completely his style and in my opinion proposes to us a real masterpiece.
I do understand why people hate it, that also means that I understand why people love it because I am one of them.
This movie was shot by cinematographer Larry Smith who also worked with Kubrick on 'Eyes wide shut', he made an extraordinary job shooting this picture because it was mesmerizing and beautiful to watch from the beginning to the end.
It was also an amazing movie experience, it's one of those movies that you just give yourself over to. If you are a fan of movies and a fan of Nicolas Winding Refn then I think you will absolutely love this.
I read that a lot of people are complaining about this movie being thin on story and whatnot, well, let me put it like this; if Refn wanted a "story" he would give it a "story".
He doesn't have anything to prove on that point because he already showed us that he can do it if he wants to, and I think once you let go of that then it will be a lot more easier to enjoy and experience this movie because it is a movie that is based on ideas which is clearly what Nicolas Winding Refn is focusing on rather than having a moving plot or story.
The atmosphere in this movie was really something, it was almost as if you were a part of it thanks to this movie being very slow paced, and that's why I've always been a big fan of slow-paced movies.
All the actors did a very good job and gave convincing performances, meaning that they didn't have to do more than what was already in the film.
And I loved the fact that our protagonist got beaten down to a point where we couldn't see his normal face, and I liked the relationship that Julian Ryan Gosling and Crystal had Kristen Thomas because I could feel that strange mother-to-son love type of relationship even though it was very tense, that probably has to do with good chemistry between the two actors.
This movie also had very good soundtracks which added another great layer to it. I guess if David Lynch were to make an extremely violent movie, I think it would look something like this, there were indeed some Lynch-moments in there and some Kubrick shots which I absolutely loved.
As much as this movie made me cringe I could not stop enjoying it, it was all in a positive way. I think Refn at one point called this a Thai-western about a man who is fighting against god, and I couldn't stop thinking about that whilst I was watching it because that's exactly what it is.
People can trash this movie all they want, we even had two people walking out of the theater. But at the end of the day, I think if you really want to know what you think of this film, you will have to go and see it for yourself.
The cinematography is good and the style might be alright and reminds me a bit of "Drive" also with Gosling. But this movie has nothing else.
No acting, because half the movie is wierd flashback like scenes, no one hardly says anything throughout the movie. There are endless shot where the camera just pans around for ages.
And again no one says anything or moves around. It's basically just one long collection of still photos put into a dias show or a silent film.
The storyline and reason behind the movie is horrible. There are only a few scenes in the movie that got me going a bit other than that a drawn out and boring experience.
Even though the movie is actually shorter than average it just was something I just wanted to speed up. So if they cut down on the panning shots and long silent moments the movie would be under 1 hour long.
I will give it 2 stars, only because I thought it had a few moments. But so much other stuff along the way that was just plain bad, that I can't give it any more.
A rich powerful criminal family which runs international drug trafficking and money laundering getting destroyed by a traditional old cop, trained in traditional martial arts.
The main character, a criminal, is soft, silly and fair, and only gets screwed. Also, all the other criminals are very silly and dumb.
The cop is though, skilled, merciless and likes revenge. What on hell the writer. Director, ators, etc were thincking! Yep, it was "awful".
The story is okay, if thin. It seems to be trying to be arty and stylish, but despite looking superb, there is zero substance. There are no real questions being asked, no real characters being developed, and a threadbare story.
All that means is this is a film of art for art's sake, which was always the refuge of the uninspired. Ryan Gosling sucked. He just stands around, saying virtually nothing, no expression, no emotion, nothing.
It was bizarre. Maybe that's how it was supposed to be, but all that means is that you have a dull, lifeless movie.
Kristin Scott Thomas sucked. Zero acting effort. Very little dialogue, which would be fine except that the end result is weird conversations with zero emotion, zero acting, and bizarre pauses where no one talks.
The best parts were the Bangkok night scenery. This film deserves nothing but contempt for wasting my money and time. If it had been free, it still wouldn't be worth it, but at least I'd only have my wasted time to complain about.
DumondBatman 5 June But this particular movie manages single-handedly to avoid all of the above. In the middle of the movie.
It's not "art", it's not even particularly striking or disturbing like a David Lynch movie. Spoiler alert: the final scene, insane and nonsensical as it may be, is cut off by you guessed it yet another scene of a cop singing at a karaoke bar.
At that point the entire movie theater I was at got on its feet and left. I went to the film mainly for Kristin Scott Thomas, as in the trailer I got excited by seeing her transforming into a villain.
She was still great in OGF. She might be the only good thing. My first opinion about the film is that, it is so obsessed about aesthetic that they didn't care there was no meaningful script.
Pretentious written all over it. It is as if Ryan Gosling just came from his home with the same outfits, same hairstyle he has in his everyday life and giving the same looks over and over again in nearly most of his films.
Its like a staring contest with Ryan Gosling. He is not mysterious. He is not meaningful. Its not that he expresses so many emotions with his eyes.
And what can he express with such a rootless character. No dialogue written. Thats OK. Thats a choice. Not every film needs to be filled with non-stop smart lines.
But what counts is what is written as dialogue. Here it fails big time. I read in some reviews that they say film is slow. I'm OK with a film being slow but if a man walks half his speed just to look cool or moves half his speed just to look mysterious it looks silly and boring.
Police singing, doing karaoke in the bar, the prostitute just being there looking pretty and in pain, all the wallpapers etc.
Its hard to pull that off. Takashi Miike, David Lynch they can pull that off. As a fan of Asian films, this seemed a like a 4 year old little boy who wants to be like his 25 year old cool uncle.
A long way to go. Its just sad that so many films that are actually similar to this "wannabe film"'s story exist.
But they don't have big names like Ryan Gosling in it. So no one is even aware of those. Being a good director should mean combining aesthetics and good story.
Kristin Scott Thomas is great to watch and if you like gore there are some scenes you would enjoy but other than that What a waste.
Danish auteur Nicolas Winding Refn's first Hollywood picture Drive is one of the best films of the millennium, hands down.
His Thailand-set revenge saga feels like a natural extension of that masterpiece, albeit a very boring and pretentious one. Where Drive was slow-burning and enrapturing, OGF is slow and uninteresting; where Ryan Gosling's Driver was charismatic and compelling, his drug-dealing enigma here is dull and vacuous; Drive's violence was impactful and meaningful, the brutality in this is nasty and pointless.
There are, however, two shining lights that save this from being completely unwatchable. The neon-lit cinematography is simply stunning and quite often disguises the senselessness of what is actually going on, whilst the ballsy performance from Kristen Scott Thomas as Gosling's reprehensible white-trash mother is a terrific display of her versatility and deserving of a much better movie.
A missed opportunity that suggests Refn is a hit and miss prospect. If you like movies that have a very weak plot, many pointless scenes, the addition of dream sequences that add nothing to the plot and only confuse, characters that are not explained and which it is therefore very hard to care about, and many shots of the characters looking into the distance with little emotion on their face and seemingly little on their mind then this is the film for you.
I don't mind films that are unique and don't fit the usual Hollywood format but there are things that are essential to a good film such as interesting characters, a plot of some sort and some clue as to what is going on being given but those things are missing from this film.
I was so confused and mainly just bored throughout this film. I expected better things from Gosling. And I have enjoyed Refn's other films so I am not just a mainstream film lover only but this effort was just bad film making.
Like most art-house films, there are people that claim this to be a masterpiece and there are people that claim it's a god awful pile of trash.
I find myself somewhere in between. Right off the bat any viewer will notice that this movie looks fantastic. The cinematography is truly stunning.
This alone earns some of my praise for the movie itself. I wonder how many people would have claimed this a masterpiece if the directing and screenplay weren't so excellent.
The script really has nothing going for it and I hope we can all agree on that. There isn't very much dialogue, but when there is it's very dull and drab.
Nobody seems to truly want to be in this movie. Refn has slowly focused less and less on this throughout his career. I loved the dialogue in Bronson and it gave me a few laughs.
Drive was a step down but there were still some quotable phrases, but there was nothing intriguing about what anybody was saying here. What I found most troubling about this movie was the fact that there wasn't much feeling put into it.
There weren't any moments that I felt particularly happy, or even sad for that matter. After an hour got by I really didn't care what happened to any of the characters.
Now so far it seems as though I've been ripping this to shreds, but there are in fact some real positives in this. Particularly the screenplay.
It's hypnotic. The color palette fit the mood and it puts you in a trance. All of the scenery is very well thought out and it is one of the most beautiful films I have ever seen.
Overall, this movie would have been one of the greatest films of all time if Refn decided to add some emotion and humor. But instead we're stuck with a beautiful pile of mostly boring scenes.
In all honesty, it was a beautifully shot movie. I would have given it a 6 based on the cinematography. Refn really has been taking strides in the movies he shoots.
Ryan Gosling's acting was spot on too Drive, Valhalla Rising, etc. The main character only said a few lines, there was a woman involved pushing the plot forward in sort of expecting turns and the main character is trying to redeem themselves in some unrealistic way.
Honestly it wasn't the quiet actors or the bloody violence, those features actually enhanced the meaning of the movie more than an average movie goer would think.
I think it was how different the movie felt from regular movies. You kind of get the gist of what is going on in the movie, it was dark and full of mystery.
The imagery in the movie really made it worth watching. It was about a God-like figure exacting justice as he saw fit Vithaya Pansringarm and a man trying to avenge his brothers death Ryan Gosling at his mothers behest.
There were a few messed up scenes involving the mother that alluded to the molestation of her children, but as with the rest of the film you don't get a clear picture of what is really going on.
A few scenes that I found uncomfortable were the scenes with Chang Vithaya Pansringarm and his samurai sword, but also the scenes in which he was singing karaoke.
It was weird and unnecessarily long. His scenes were gruesome and violent. Other than that it was a quiet violent film that really made you think.
If you look down at your phone or decide to talk during a scene with actual dialogue you miss a good chunk of information about the movie. There are few movies that I don't understand the first time that I watch them, and fewer like that, that I decide to never watch again at least for a long time.
This is a hard one. I really liked this movie in parts, and really didn't like it in other parts.
Let's be clear, the cinematography is absolutely incredible. Those vivid, neon lights that scream depravity, along with on the whole, awe-inspiring camera work.
This is one of the best looking films I've seen in many years. But all that glitters isn't gold. Unfortunately, what we have is a perplexing story.
We have characters with little to no motivation in their actions. The mother and son gangsters played Gosling and Scott Thomas want to avenge the death of their slain loved- one, but if only we could genuinely believe that.
Gosling, once again, shines brightly as an emotionless, cold-hearted psycho.. But this character doesn't work on the premise of being vengeful.
He's a puppet of his mother, we get that.. Scott Thomas as the mother is pretty much repugnant in all the wrong ways. She's a potty- mouthed little pig.
Again, it makes you wonder about the full motivation. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits.
Alternate Versions. Rate This. Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.
Director: Nicolas Winding Refn. Writer: Nicolas Winding Refn. Added to Watchlist. From metacritic. Underrated films and obscure gems.
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Edit Cast Cast overview, first billed only: Ryan Gosling Julian Kristin Scott Thomas Crystal Vithaya Pansringarm Chang Gordon Brown Gordon Yayaying Rhatha Phongam Mai Tom Burke Billy Sahajak Boonthanakit Kim Pitchawat Petchayahon Phaiban Charlie Ruedpokanon Daeng Kowit Wattanakul Kanita Narucha Chaimareung Papa San Danai Thiengdham Ma Fong Nophand Boonyai Edit Storyline Bangkok.
Edit Did You Know? That word was at the top of his list. Goofs After the fight of the opening scene, the arm of the winner is raised by the referee and the defeated fighter is picked up by his helpers in blue.
When the camera cuts to the other side of the ring, this is shown again. Quotes [ first lines ] Julien : [ in Thai ] Go. Soundtracks Sister, Pt. Was this review helpful to you?
Yes No Report this. Q: What are the lyrics to the song at the end? Language: English Thai. Runtime: 90 min.
Sound Mix: Dolby Digital. Color: Color.
Feb 6, - Only God Forgives (Directed by Nicolas Winding Refn, Starring Ryan Gosling) The Neon Demon () - IMDb. When aspiring model Jesse. Zum kommenden neuen Film “Only God Forgives” von Regisseur Nicolas http://lmdle.eu?ref_=tt_ov_i. lmdle.eu In "Drive" war er ein glamouröser Killer, in "Only God Forgives" wird er verprügelt, gedemütigt und. Only God Forgives Imdb Contribute to This Page Video
Only God Forgives Official Red Band Trailer #1 (2013) - Ryan Gosling Thriller HD Winner Robert. Clear your history. Edit page. The sequel in the long-running creature franchise, which will once again bring back The Crossing Serie Gross as the gun-toting Burt Gummer, was originally going under the title of Tremors: Island Fury. Ten years ago Julian Ryan Gosling killed a Lichtmess Kino and went on the run. At that point the entire movie theater I was at got on its feet and left. Maybe that's how it was supposed to be, but all that means is that you have a dull, lifeless movie. Refn has slowly focused less and less on this throughout his career. Where Drive was slow-burning and enrapturing, OGF is slow and uninteresting; where Ryan Gosling's Driver was charismatic and compelling, his drug-dealing enigma here is dull and vacuous; Drive's violence was impactful and meaningful, the brutality in this is nasty and pointless. It is simple either one loves, or one hates this film.Only God Forgives Imdb Video
The Beauty Of Only God Forgives Nackt Gesehen Copthe slasher film franchise, has been eyed for a remake treatment of some kind for several years, with its last attempt, a feature film, having come to a screeching halt a few years back. Ryan Gosling, of whom I was a fan in his earlier days, plays the same character from Drive, except that here he is indeed even more emotionless. He doesn't really succeed. Winner Seattle Film Critics Award. It makes you question what was real and what was not in a way I've never seen in Disney Channel Movies before. People can trash this movie all they want, we even had two people walking out of the theater.
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